1
00:00:01,668 --> 00:00:03,969
<i>♪♪</i>

2
00:00:11,345 --> 00:00:13,712
ALL RIGHT, EVERYBODY. SURF'S UP,

3
00:00:13,781 --> 00:00:16,315
AND IT'S A BEAUTIFUL
DAY HERE IN CINCINNATI.

4
00:00:16,383 --> 00:00:20,785
THAT'S RIGHT, BABIES. WE GOT A
BLISTERING 14 DEGREES OUTSIDE.

5
00:00:20,854 --> 00:00:23,721
AND THERE IS A GENTLE WIND
WAFTING DOWN FROM THE NORTH...

6
00:00:23,790 --> 00:00:26,391
AT ABOUT 1,000 MILES AN HOUR.

7
00:00:26,460 --> 00:00:29,394
ALL RIGHT, NOW IT'S TIME
TO STRAP 'EM ON, BABIES.

8
00:00:29,463 --> 00:00:34,933
HERE WE GO. IT'S DR. FEVER'S SEASONAL
CINCINNATI SNOWSHOE SHUFFLE STOMP.

9
00:00:35,002 --> 00:00:39,537
YOU READY? EVERYBODY DANCE! I
CAN FEEL THE EXCITEMENT ALREADY!

10
00:00:39,606 --> 00:00:41,606
♪♪

11
00:00:45,980 --> 00:00:48,913
NO TIME FOR PLEASANTRIES,
JOHNNY. WE HAVE AN EMERGENCY HERE.

12
00:00:48,982 --> 00:00:51,094
I HAVE TO INTERRUPT YOUR
PROGRAM. WH-WH-WHAT...

13
00:00:51,118 --> 00:00:53,051
♪♪

14
00:00:53,120 --> 00:00:55,320
SMOOTH, LES.

15
00:00:55,389 --> 00:00:58,256
WE INTERRUPT THIS PROGRAM
FOR A SPECIAL NEWS BULLETIN.

16
00:00:58,325 --> 00:01:03,228
ONE, TWO, THREE, FOUR. THIS IS LES
NESSMAN WITH A SPECIAL NEWS BULLETIN...

17
00:01:03,297 --> 00:01:05,976
FOR WHICH WE HAVE INTERRUPTED
OUR REGULARLY-SCHEDULED PROGRAM.

18
00:01:06,000 --> 00:01:08,933
ONE, TWO, THREE, FOUR.
THAT PROGRAM WILL RETURN...

19
00:01:09,003 --> 00:01:12,104
TO THE AIRWAVES FOLLOWING
THIS SPECIAL ANNOUNCEMENT.

20
00:01:12,172 --> 00:01:15,974
ONE, TWO, THREE... AND NOW,
HERE'S THE ANNOUNCEMENT.

21
00:01:16,977 --> 00:01:20,979
TODAY IN CINCINNATI,
IT IS SNOWING.

22
00:01:23,383 --> 00:01:26,785
R.F. "SKIPPY" NELSON, CHIEF
MAINTENANCE SUPERVISOR...

23
00:01:26,854 --> 00:01:28,865
FOR THE DEPARTMENT OF
STREETS AND HIGHWAYS...

24
00:01:28,889 --> 00:01:31,222
IN AN EXCLUSIVE INTERVIEW
WITH THIS REPORTER,

25
00:01:31,291 --> 00:01:33,725
DESCRIBED THE
SCENE AS, AND I QUOTE,

26
00:01:33,794 --> 00:01:36,928
"A REAL MESS, LES."

27
00:01:36,997 --> 00:01:38,930
END QUOTE.

28
00:01:38,999 --> 00:01:42,567
THIS STATION IS ADVISING EVERYONE
WITHIN A 400-MILE RADIUS OF MY VOICE...

29
00:01:42,636 --> 00:01:47,138
TO DRESS WARMLY DURING THIS
UNEXPECTED VISIT FROM JACK FROST.

30
00:01:48,475 --> 00:01:50,186
THIS HAS BEEN LES
NESSMAN REPORTING.

31
00:01:50,210 --> 00:01:52,711
WE RETURN YOU NOW TO OUR
REGULARLY-SCHEDULED PROGRAM.

32
00:01:52,780 --> 00:01:55,647
♪♪

33
00:01:57,851 --> 00:01:59,984
<i>♪♪</i> VERY PROFESSIONAL, LES.

34
00:02:00,053 --> 00:02:01,887
THANK YOU, JOHNNY.

35
00:02:01,955 --> 00:02:04,000
I MIGHT HAVE TO INTERRUPT
YOUR PROGRAM AGAIN.

36
00:02:04,024 --> 00:02:06,324
THE WHOLE WORLD'S WAITING
FOR WORD ON THIS, RIGHT?

37
00:02:06,393 --> 00:02:08,738
I'VE GOTTA STAY ON TOP OF THIS.

38
00:02:08,762 --> 00:02:11,330
GOOD GOD, MAN! YOU'RE
NOT GOING OUT THERE AGAIN?

39
00:02:13,167 --> 00:02:15,334
IF I HAVE TO, I WILL.
IN THE MEANTIME,

40
00:02:15,402 --> 00:02:17,362
I'LL BE AT THE WINDOW,
WATCHING CAREFULLY.

41
00:02:22,142 --> 00:02:24,275
♪♪

42
00:02:36,490 --> 00:02:38,956
LES?

43
00:02:39,025 --> 00:02:41,993
- YOU STARTLED ME.
- I'M SORRY. WH-WHAT ARE YOU DOIN'?

44
00:02:42,061 --> 00:02:44,941
IT'S A WEATHER WATCH. I HAVE AN
UPDATE AT THE TOP OF THE HOUR.

45
00:02:44,998 --> 00:02:47,665
OH, WELL, YOU BETTER
GET A MOVE ON THEN.

46
00:02:47,734 --> 00:02:50,969
YOU'RE RIGHT. IT'S NOT
AS EASY AS IT LOOKS, ANDY.

47
00:02:51,038 --> 00:02:53,171
OH, I KNOW, LES.
WEATHER'S TOUGH.

48
00:02:53,240 --> 00:02:55,106
YEAH.

49
00:02:56,376 --> 00:02:58,810
<i>♪ IT'S A LOVELY DAY TODAY ♪</i>

50
00:02:58,879 --> 00:03:01,179
<i>♪ SO WHATEVER YOU'VE GOT TO DO ♪</i>

51
00:03:01,248 --> 00:03:03,448
♪ YOU GOT A LOVELY
DAY TO DO IT IN ♪

52
00:03:03,517 --> 00:03:05,750
♪ AND THAT'S TRUE ♪♪

53
00:03:05,819 --> 00:03:08,119
MIND IF I COME IN?

54
00:03:08,188 --> 00:03:10,155
NO, NOT AT ALL.

55
00:03:10,223 --> 00:03:12,290
- MIND IF I SING?
- DO YOU HAVE TO?

56
00:03:12,359 --> 00:03:14,938
<i>WHAT'S GOT YOU IN SUCH
A JOVIAL MOOD TODAY?</i>

57
00:03:14,962 --> 00:03:17,729
OH, MAN, THE MOST AMAZING
THING HAS HAPPENED.

58
00:03:17,797 --> 00:03:20,599
HEY, YOU ENJOY, UH,
POETIC JUSTICE, HUH? <i>YEAH.</i>

59
00:03:20,668 --> 00:03:22,312
JUST AS MUCH AS THE NEXT GUY.

60
00:03:22,336 --> 00:03:23,968
WITH AN OCCASIONAL BIT OF IRONY?

61
00:03:24,037 --> 00:03:26,549
YOU GOT ME ON THE EDGE
OF MY SEAT. WHAT'S THE POINT?

62
00:03:26,573 --> 00:03:29,207
- YOU'RE GONNA LOVE IT.
- I'LL DO MY VERY BEST.

63
00:03:29,276 --> 00:03:31,721
REMEMBER HOW I GOT
CANNED OUT IN L.A.? YEAH.

64
00:03:31,745 --> 00:03:34,105
FOR SAYIN' "BOOGER" ON
THE AIR? YEAH, YEAH, YEAH.

65
00:03:34,148 --> 00:03:37,815
WELL, GET THIS. THE TOP COMPETITOR
OF THE GUY THAT FIRED ME...

66
00:03:37,884 --> 00:03:40,586
WANTS TO HIRE ME... YOU GET IT?

67
00:03:41,655 --> 00:03:43,722
YOU GOT A JOB OFFER? RIGHT!

68
00:03:43,790 --> 00:03:46,290
IN L.A.? RIGHT AGAIN.

69
00:03:46,359 --> 00:03:48,405
WELL, A-A-RE YOU GONNA TAKE IT?

70
00:03:48,429 --> 00:03:52,230
HELL, YES, I'M GONNA TAKE IT. I MEAN,
DON'T YOU SEE WHAT THIS MEANS?

71
00:03:52,299 --> 00:03:54,778
IF IT'S A QUESTION OF MONEY,
I'LL TALK TO CARLSON ABOUT THIS.

72
00:03:54,802 --> 00:03:56,734
THE MONEY DON'T MEAN
NOTHIN' TO ME, MAN.

73
00:03:56,803 --> 00:04:00,605
YOU'RE TALKIN' TO A 40-YEAR-OLD MAN
WHO LIVES LIKE A COLLEGE STUDENT.

74
00:04:00,674 --> 00:04:04,176
I GOT TWO PAIRS OF
SOCKS. I EAT OVER THE SINK.

75
00:04:04,244 --> 00:04:06,723
IF IT'S NOT THE MONEY,
THEN... NO, NO, MAN.

76
00:04:06,747 --> 00:04:08,880
FOUR MONTHS AGO,
I'M SLEEPIN' IN A VAN.

77
00:04:08,949 --> 00:04:11,249
IT'S NOT MY VAN. I DON'T CARE.

78
00:04:11,317 --> 00:04:13,596
GIVE ME CHANCE
TO TALK TO CARLSON.

79
00:04:13,620 --> 00:04:16,288
YOU JUST DON'T
GET IT, DO YA, PAL?

80
00:04:16,356 --> 00:04:20,959
LOOK, WHEN THAT CLOWN FIRED ME,
I COULDN'T FIND WORK FOR MONTHS.

81
00:04:21,028 --> 00:04:23,862
I MEAN, NOBODY IN THE BUSINESS
WOULD ANSWER MY PHONE CALLS.

82
00:04:23,931 --> 00:04:26,331
BUT NOW, I GOT A
SHOT AT GOIN' BACK...

83
00:04:26,399 --> 00:04:29,400
AND PROVIN' TO THEM THAT I
SHOULDN'T HAVE BEEN SACKED.

84
00:04:29,469 --> 00:04:33,238
THE DOCTOR IS HOT, BABY.
THE DOCTOR IS ON HIS WAY.

85
00:04:33,307 --> 00:04:36,607
THE DOCTOR IS OPERATING.
FORCEPS, NURSE.

86
00:04:38,278 --> 00:04:40,212
MIND IF I LEAVE?

87
00:04:41,214 --> 00:04:43,981
YES.

88
00:04:44,050 --> 00:04:45,984
YES, I DO.

89
00:04:46,053 --> 00:04:50,555
<i>♪ BABY IF YOU'VE EVER WONDERED ♪</i>

90
00:04:50,623 --> 00:04:54,526
<i>♪ WONDERED WHATEVER
BECAME OF ME ♪</i>

91
00:04:54,595 --> 00:04:57,929
<i>♪ I'M LIVING ON THE
AIR IN CINCINNATI ♪</i>

92
00:04:59,332 --> 00:05:03,568
<i>♪ CINCINNATI, WKRP ♪</i>

93
00:05:03,637 --> 00:05:07,205
<i>♪ GOT KIND OF TIRED OF
PACKING AND UNPACKING ♪</i>

94
00:05:07,274 --> 00:05:10,742
<i>♪ TOWN TO TOWN UP
AND DOWN THE DIAL ♪</i>

95
00:05:12,613 --> 00:05:15,747
<i>♪ MAYBE YOU AND ME
WERE NEVER MEANT TO BE ♪</i>

96
00:05:15,816 --> 00:05:19,984
<i>♪ JUST MAYBE THINK
OF ME ONCE IN A WHILE ♪</i>

97
00:05:20,053 --> 00:05:22,721
<i>♪ I'M AT WKRP ♪</i>

98
00:05:22,790 --> 00:05:26,625
<i>♪ IN CINCINNATI ♪♪</i>

99
00:05:51,585 --> 00:05:53,985
OH.

100
00:05:54,054 --> 00:05:55,987
HI, HERB. HOW'S IT GOIN'?

101
00:05:56,056 --> 00:05:58,757
- BIG GUY, WILL YOU
TALK TO BAILEY?
- OKAY.

102
00:06:00,160 --> 00:06:04,562
- MORNING, BAILEY.
- MR. CARLSON,
HERB IS CRAZY.

103
00:06:04,631 --> 00:06:06,431
YES.

104
00:06:06,500 --> 00:06:08,333
GO ON.

105
00:06:08,402 --> 00:06:11,147
HE NEVER GIVES ME A CHANCE...
WAIT A MINUTE. HOLD ON.

106
00:06:11,171 --> 00:06:13,471
NOW, NO OFFENSE, BAILEY,

107
00:06:13,540 --> 00:06:16,485
BUT PART OF YOUR JOB AROUND
HERE IS WRITING COMMERCIALS.

108
00:06:16,509 --> 00:06:18,554
BUT YOU DON'T DO
A VERY GOOD JOB.

109
00:06:18,578 --> 00:06:20,978
HOW SO? ALL RIGHT.

110
00:06:21,048 --> 00:06:26,051
DON'T GET UPSET. I KNOW YOU'RE
A JOURNALISM SCHOOL GRADUATE,

111
00:06:26,119 --> 00:06:29,554
BUT YOU DON'T KNOW HOW TO PUT
THE BITE IN THE OLD SALES MESSAGE.

112
00:06:29,622 --> 00:06:32,723
FOR EXAMPLE? FOR EXAMPLE...

113
00:06:32,793 --> 00:06:35,593
THIS COPY FROM THE
NORTH MALL PET VILLAGE.

114
00:06:35,662 --> 00:06:38,129
GET A LOAD OF THIS, BIG GUY.

115
00:06:38,198 --> 00:06:40,531
"WOULDN'T YOU
LIKE TO COME HOME...

116
00:06:40,600 --> 00:06:45,203
TO A CUDDLY, WARM, LITTLE
COMPANION LIKE A COCKER SPANIEL?"

117
00:06:47,307 --> 00:06:49,240
WHAT'S WRONG
WITH THAT? I LIKE IT.

118
00:06:50,576 --> 00:06:54,012
BIG GUY, THEY'RE SELLIN' DOGS
LEFT AND RIGHT DOWN THERE.

119
00:06:54,080 --> 00:06:57,915
WHAT WE GOTTA DO IS MOVE THE
MERCHANDISE THAT'S PILING UP IN THE BACK.

120
00:06:57,984 --> 00:07:01,218
- I SEE.
- FOR EXAMPLE, HERB.

121
00:07:01,287 --> 00:07:05,823
FOR EXAMPLE, BAILEY, THIS IS THE
WAY YOU WRITE ONE OF THESE THINGS.

122
00:07:08,395 --> 00:07:10,395
"BIG SNAKE SALE.

123
00:07:10,463 --> 00:07:12,830
"S-S-S-SAVE. S-S-S-SAVE.

124
00:07:12,900 --> 00:07:16,001
"S-S-S-SAVE. PICK
AND CHOOS-S-S-SE.

125
00:07:16,069 --> 00:07:18,703
"MIX AND MATCH.
EVERYTHING'S-S-S-S MARKED DOWN.

126
00:07:18,772 --> 00:07:21,606
"THESE MARVELOUS PETS-S-S-S
ARE QUIET AND HARD-TO-FIND.

127
00:07:21,674 --> 00:07:23,708
"RID YOUR HOME OF
PESKY RODENTS-S-S-S...

128
00:07:23,777 --> 00:07:25,755
"AND UNWANTED
BABY CHICKS-S-S-S-S.

129
00:07:25,779 --> 00:07:28,546
S-S-S-S-STARTLE YOUR
FRIENDS-S-S TODAY."

130
00:07:34,655 --> 00:07:38,556
THAT'S PRETTY GOOD, HERB. BUT
OVERALL, I LIKE BAILEY'S COPY BETTER.

131
00:07:38,625 --> 00:07:40,603
WELL, THAT'S NOT WHAT SELLS.

132
00:07:40,627 --> 00:07:43,161
LET'S FACE LIFE AS IT IS, OKAY?

133
00:07:43,230 --> 00:07:46,264
MR. CARLSON, WE HAVE
GOT BIG TROUBLE. UH-OH.

134
00:07:46,333 --> 00:07:48,633
MOTHER'S ON HER WAY. LOOK,
HERE'S WHAT WE'RE GONNA DO.

135
00:07:48,702 --> 00:07:51,136
I'LL DISAVOW ALL KNOWLEDGE.
YOU DO MOST OF THE TALKING.

136
00:07:51,205 --> 00:07:54,939
WHEN SHE WALKS... MR. CARLSON, IT
IS NOT MAMA. IT IS WORSE THAN MAMA.

137
00:07:55,008 --> 00:07:57,108
WORSE? WHAT COULD
BE WORSE THAN MAMA?

138
00:07:57,177 --> 00:08:00,644
UH, LOOK, UH, BAILEY, HERB,
COULD YOU EXCUSE US, PLEASE?

139
00:08:00,713 --> 00:08:03,215
SURE, ANDY.

140
00:08:06,819 --> 00:08:09,932
THINGS JUST KEEP GETTING
STRANGER AND STRANGER, DON'T THEY?

141
00:08:09,956 --> 00:08:11,889
COME ON, TRAVIS.
WHAT'S THE PROBLEM?

142
00:08:11,958 --> 00:08:14,326
IT'S JOHNNY. HE'S
GOT A JOB OFFER.

143
00:08:14,394 --> 00:08:17,061
JOHNNY? YEP, AND
IT IS A GOOD ONE.

144
00:08:17,130 --> 00:08:19,197
- IN RADIO?
- YES.

145
00:08:19,265 --> 00:08:21,532
WHERE? <i>L.A.</i>

146
00:08:21,601 --> 00:08:23,935
- WHAT ARE WE PAYING HIM NOW?
- 17.5.

147
00:08:24,004 --> 00:08:26,971
17.5, HUH? YOU THINK THEY
CAN TOP THAT OUT THERE?

148
00:08:27,040 --> 00:08:28,885
MM-HMM. I THINK THEY
PROBABLY COULD, YES.

149
00:08:28,909 --> 00:08:32,377
ALL RIGHT, THEN WE'RE JUST GONNA HAVE TO
SWEETEN THE POT A LITTLE BIT, THAT'S ALL.

150
00:08:32,445 --> 00:08:34,545
YOU GO TO HIM
WITH AN OFFER OF 19.

151
00:08:34,614 --> 00:08:38,183
YOU FEEL HIM OUT. IF HE
GETS ROUGH, WE'LL GO TO 19.1.

152
00:08:40,187 --> 00:08:42,120
TWO?

153
00:08:42,189 --> 00:08:45,234
ALL RIGHT, THREE. AND IF HE DEMANDS A
PARKING SPOT, WE'LL GIVE HIM NESSMAN'S.

154
00:08:45,258 --> 00:08:47,269
I MEAN, THESE THINGS ARE
NEGOTIABLE. <i>MR. CARLSON,</i>

155
00:08:47,293 --> 00:08:49,338
THAT AIN'T GONNA
CUT IT. WHY NOT?

156
00:08:49,362 --> 00:08:51,840
BECAUSE IT'S NOT A
QUESTION OF MONEY. IT'S PRIDE.

157
00:08:51,864 --> 00:08:54,131
PRIDE? WELL, THEN
YOU JUST TELL HIM...

158
00:08:54,200 --> 00:08:56,668
WE'RE ALL VERY PROUD
OF HIM, OFFER HIM 18.

159
00:08:58,838 --> 00:09:00,772
DO YOU DUDES KNOW ABOUT JOHNNY?

160
00:09:00,841 --> 00:09:04,141
YEAH, WE WERE JUST HAVIN' A DUDE'S
CONFERENCE OVER THAT VERY SUBJECT.

161
00:09:07,880 --> 00:09:10,159
YOU'RE NOT GONNA LET HIM
WALK OUT OF HERE, ARE YOU?

162
00:09:10,183 --> 00:09:13,262
ONE OF THE REASONS I CAME TO THIS
STATION WAS TO WORK WITH THE DOCTOR.

163
00:09:13,286 --> 00:09:15,920
I KNOW THAT, VENUS.
OKAY, LOOK. I'M GONNA...

164
00:09:15,989 --> 00:09:19,469
I'M GONNA TALK WITH HIM SOME MORE.
MR. CARLSON'S GONNA OFFER HIM A PAY RAISE.

165
00:09:19,526 --> 00:09:21,826
BUT, UH, I'M NOT SO
SURE THAT'S GONNA WORK.

166
00:09:21,894 --> 00:09:24,896
WELL, THERE'S ONLY
ONE THING LEFT TO DO.

167
00:09:24,964 --> 00:09:27,565
THE DOCTOR'S OUR FRIEND.
LET'S TRICK HIM INTO STAYING.

168
00:09:27,634 --> 00:09:30,068
- HEY, NO, MAN.
- WELL, WHY NOT?

169
00:09:30,136 --> 00:09:32,937
BECAUSE IF WE'RE GOOD GUYS
AT ALL, WE'D BE HAPPY FOR JOHNNY.

170
00:09:33,006 --> 00:09:36,774
HE HAS WAITED FIVE YEARS TO GET
THE CHANCE TO GET BACK ON TOP.

171
00:09:36,843 --> 00:09:38,776
YEAH. YEAH, I GUESS SO.

172
00:09:38,845 --> 00:09:41,112
HEY.

173
00:09:41,181 --> 00:09:43,147
YOU, UH, MIND IF I COME IN?

174
00:09:43,216 --> 00:09:45,416
NOT AT ALL, DOCTOR.

175
00:09:45,484 --> 00:09:47,452
I GUESS YOU HEARD,
HUH? YEAH. YEAH.

176
00:09:47,521 --> 00:09:49,987
I WONDER IF I COULD ASK
A FAVOR OF YOU GUYS?

177
00:09:50,056 --> 00:09:51,822
OH, YEAH, SURE. ANYTHING.

178
00:09:51,891 --> 00:09:54,003
I JUST TALKED TO L.A.
ON THE PHONE AGAIN.

179
00:09:54,027 --> 00:09:57,896
AND-AND THEY NEED ME SOONER. SO I WONDER
IF I COULD LEAVE WITH ONE WEEK'S NOTICE.

180
00:09:57,964 --> 00:10:01,131
UH... WELL... YEAH, OKAY.

181
00:10:01,200 --> 00:10:04,435
I, UH... I GUESS I COULD GO
OUT AND PLAY IN THE SNOW.

182
00:10:04,504 --> 00:10:07,172
THE LAST TIME I'LL
EVER SEE THAT JUNK.

183
00:10:08,208 --> 00:10:10,141
YOU MIND IF I LEAVE?

184
00:10:12,913 --> 00:10:15,257
WHAT DO YOU GOT IN MIND?
OKAY, HERE'S THE PLAN.

185
00:10:15,281 --> 00:10:17,215
I'LL TAKE NOTES.

186
00:10:30,763 --> 00:10:32,763
- BYE.
- YOU GOING HOME, JOHNNY?

187
00:10:32,831 --> 00:10:35,999
YEAH, IT'S, UH, NOON. IT'S
ALMOST PAST MY BEDTIME.

188
00:10:36,068 --> 00:10:38,302
- SLEEP TIGHT.
- YEAH.

189
00:10:38,371 --> 00:10:42,974
OH, UH, BY THE WAY, I HAVEN'T
CONGRATULATED YOU YET ON YOUR BIG JOB.

190
00:10:43,042 --> 00:10:46,210
THANK YOU VERY MUCH. I GUESS
YOU'LL PROBABLY GO OUT THERE...

191
00:10:46,279 --> 00:10:50,147
AND BECOME A BIG PERSONALITY
AND FORGET ALL OF US.

192
00:10:50,216 --> 00:10:53,150
NOT... ALL OF YOU.

193
00:10:53,219 --> 00:10:55,652
SEE YOU TOMORROW. YEAH. SO LONG.

194
00:10:55,721 --> 00:10:58,555
SO LONG. SO LONG.

195
00:10:58,624 --> 00:11:01,525
BYE. BYE.

196
00:11:02,762 --> 00:11:04,695
BYE.

197
00:11:22,014 --> 00:11:24,048
LET'S GET THIS
STRAIGHTENED OUT RIGHT NOW.

198
00:11:24,117 --> 00:11:26,995
HEY, EVERYBODY. MAY I HAVE
YOUR ATTENTION, PLEASE?

199
00:11:27,019 --> 00:11:29,887
EXCUSE ME.

200
00:11:29,956 --> 00:11:32,190
HEY, EVERYBODY... JENNIFER?

201
00:11:34,260 --> 00:11:36,405
THANK YOU, EVERYBODY.
UH, I THINK WE'VE COME UP...

202
00:11:36,429 --> 00:11:39,330
WITH A WAY TO KEEP JOHNNY
FROM GOING TO LOS ANGELES.

203
00:11:39,399 --> 00:11:41,399
WHY?

204
00:11:44,771 --> 00:11:47,872
SO, YOU ALWAYS START
WITH AN AMUSING STORY.

205
00:11:47,940 --> 00:11:50,741
ONCE YOU'VE GOT THE AUDIENCE
LAUGHING, THEY'RE PUTTY IN YOUR HANDS.

206
00:11:50,810 --> 00:11:53,911
RIGHT. NOW, WHERE ARE
YOUR THREE-BY-FIVE CARDS?

207
00:11:53,979 --> 00:11:56,280
WELL, I DON'T HAVE ANY.
YOU DON'T HAVE ANY?

208
00:11:56,348 --> 00:12:00,050
NO, LES, I DIDN'T THINK THAT
I WAS SUPPOSED TO BRING...

209
00:12:00,119 --> 00:12:03,587
THERE I WAS, YOU
SEE, AT GUADALCANAL.

210
00:12:03,656 --> 00:12:06,089
OR, UH, MAYBE IT WAS MINANOWA.

211
00:12:06,158 --> 00:12:09,660
I DON'T KNOW, BUT THE JAPANESE
WERE ALL OVER THE PLACE.

212
00:12:09,729 --> 00:12:11,862
WERE YOU ON VACATION?

213
00:12:11,931 --> 00:12:14,632
WE BETTER GET GOIN' BEFORE
WE LOSE THE BIG GUY, HUH?

214
00:12:14,700 --> 00:12:17,301
I THINK WE MIGHT HAVE
LOST HIM ALREADY. YEAH.

215
00:12:17,369 --> 00:12:20,148
<i>AND THE CHEESE PUFF
WAS JUST SCRUMPTIOUS.</i>

216
00:12:20,172 --> 00:12:22,551
HONEST, ANDY, I THOUGHT WE
WERE SUPPOSED TO BRING OUR WIVES.

217
00:12:22,575 --> 00:12:24,642
IT'S OKAY, HERB.

218
00:12:24,710 --> 00:12:26,744
JOHN, I THOUGHT WE WERE
SUPPOSED TO BRING WIVES.

219
00:12:26,813 --> 00:12:30,448
IT'S OKAY, HERB. SO, YOU'RE
OFF TO SOUTHERN CALIFORNIA?

220
00:12:30,516 --> 00:12:33,529
YEAH. UH, IS THAT A REAL
BUTTER PATTY THERE?

221
00:12:33,553 --> 00:12:36,420
I DON'T KNOW. UH, WHY
DON'T YOU EAT ONE? OH!

222
00:12:36,489 --> 00:12:39,623
EXCUSE ME.

223
00:12:39,692 --> 00:12:41,725
UM, YOU ALL KNOW
WHY WE'RE HERE...

224
00:12:41,794 --> 00:12:44,128
TO SAY GOOD-BYE TO OUR
DEAR FRIEND, DR. JOHNNY FEVER.

225
00:12:47,066 --> 00:12:50,467
AND WE ALL WANNA WISH HIM
THE VERY BEST AT HIS NEW STATION.

226
00:12:52,604 --> 00:12:56,006
SO, TO GET THIS TESTIMONIAL
STARTED, I'D LIKE TO INTRODUCE...

227
00:12:56,075 --> 00:12:59,076
THE GUY WHO REALLY
HOLDS WKRP TOGETHER.

228
00:13:00,146 --> 00:13:02,586
ALL RIGHT, ALL RIGHT.

229
00:13:03,349 --> 00:13:05,282
EXCUSE ME.

230
00:13:11,891 --> 00:13:14,659
NICE MAN, THAT HERB.

231
00:13:14,727 --> 00:13:17,194
THERE ARE, UH, ONE
OR TWO THINGS...

232
00:13:17,263 --> 00:13:21,465
I THINK NEED TO BE
SAID HERE, AS I SEE IT.

233
00:13:21,534 --> 00:13:23,600
FIRST OF ALL, JOHNNY,

234
00:13:23,670 --> 00:13:26,470
I WOULD LIKE TO SAY THAT
WE'RE DARN PROUD OF YOU...

235
00:13:26,539 --> 00:13:29,673
FOR LANDING THAT
BIG FISH... OF SUCCESS.

236
00:13:32,778 --> 00:13:35,445
NOW, THERE'S A LOT OF PEOPLE
OUT THERE IN CALIFORNIA...

237
00:13:35,514 --> 00:13:39,383
GONNA TELL YOU THAT FISHING IN CALIFORNIA
IS BETTER THAN IT IS IN CINCINNATI.

238
00:13:39,451 --> 00:13:41,384
I GOT ONE THING
TO SAY ABOUT THAT.

239
00:13:48,928 --> 00:13:50,939
YOU GOTTA GO "FREEP
DEA SISHING" OUT THERE.

240
00:13:50,963 --> 00:13:54,198
UH, UH, WHATEVER IT IS. THEY
PUT YOU IN THOSE LITTLE BOATS,

241
00:13:54,266 --> 00:13:57,968
AND THEY DRAG YOU OFF THE COAST OUT THERE,
AND THEY SET YOU IN A HOT SUMMER SUN.

242
00:13:58,037 --> 00:14:01,671
YOU GET WET AND STICKY,
AND IT'S A SMELLY BAIT AND...

243
00:14:01,741 --> 00:14:05,508
IT'S TERRIBLE. GIVE ME A ROD
AND A REEL AND THE OLD OHIO...

244
00:14:05,577 --> 00:14:07,911
OR A NEARBY LAKE,
AND I'M A HAPPY MAN.

245
00:14:09,248 --> 00:14:12,950
I'LL BE A SON OF A GUN.

246
00:14:13,018 --> 00:14:16,253
DO YOU KNOW THAT
THIS IS THE VERY ROOM...

247
00:14:16,321 --> 00:14:19,489
IN WHICH THE ROTARIANS
PRESENTED ME...

248
00:14:19,558 --> 00:14:22,592
WITH THE ROTARIAN
OF THE WEEK AWARD?

249
00:14:22,661 --> 00:14:25,929
I'LL NEVER FORGET THAT
LUNCHEON AS LONG AS I LIVE.

250
00:14:25,998 --> 00:14:27,931
THAT WAS SOME LUNCHEON.

251
00:14:28,000 --> 00:14:30,167
THAT WAS SOME
LUNCHEON. I'LL TELL YA.

252
00:14:30,236 --> 00:14:33,036
IT'S ONE FOR THE MEMORY BOOKS.

253
00:14:39,879 --> 00:14:42,512
WELL, WE'RE OFF TO
AN ELECTRIFYING START.

254
00:14:42,581 --> 00:14:46,783
<i>SO, UH, NOW LET'S HAVE ONE OF
THE HIGH SPOTS OF THE EVENING.</i>

255
00:14:46,852 --> 00:14:49,452
<i>OUR OWN LES NESSMAN,
AS YOU MIGHT NOT KNOW,</i>

256
00:14:49,521 --> 00:14:51,655
WAS A PAST PRESIDENT OF...

257
00:14:51,724 --> 00:14:54,591
THE CINCINNATI CHAPTER OF THE
SPEECHMAKERS CLUB OF AMERICA.

258
00:14:54,660 --> 00:14:56,572
OH!

259
00:14:56,596 --> 00:15:00,263
AND AS SUCH, TRAVELED UP
AND DOWN THE OHIO VALLEY,

260
00:15:00,332 --> 00:15:02,378
SPEAKING TO ANYONE
THAT WOULD LISTEN.

261
00:15:04,336 --> 00:15:08,038
SO, LADIES AND GENTLEMEN, OUR OWN
TOASTMASTER GENERAL, MR. LES NESSMAN!

262
00:15:11,777 --> 00:15:14,111
GOOD EVENING, EVERYONE.

263
00:15:14,179 --> 00:15:17,447
I HAVE SET ASIDE
MY USUAL SPEECH,

264
00:15:17,516 --> 00:15:20,818
"THE RED MENACE IN
OUR OWN BACKYARD,"

265
00:15:20,886 --> 00:15:24,621
IN ORDER TO PAY TRIBUTE
TO DR. JOHN FEVER,

266
00:15:24,690 --> 00:15:27,257
<i>WHICH BRINGS TO MIND
AN AMUSING STORY...</i>

267
00:15:27,326 --> 00:15:30,995
- OKAY, WHO WANTS
STRAWBERRY TARTS?
- OVER HERE. OVER HERE. UH-HUH.

268
00:15:34,733 --> 00:15:36,900
<i>AS I WAS SAYING, IT
HAS BEEN MY PLEASURE...</i>

269
00:15:36,969 --> 00:15:38,947
THEY'RE REAL
LITTLE, HONEY. OH...

270
00:15:38,971 --> 00:15:42,205
WE DON'T CARE. I SHALL CONTINUE.

271
00:15:42,274 --> 00:15:44,508
TART? LEAVE ME ALONE!

272
00:15:44,577 --> 00:15:46,710
SUIT YOURSELF.

273
00:15:48,947 --> 00:15:51,648
NOW, YOU MAY BE ASKING
YOURSELF, "HOW CAN I,

274
00:15:51,717 --> 00:15:55,385
"AN OHIO FARMER,
AFFECT POLICY IN PEKING?

275
00:15:55,454 --> 00:15:57,588
I'M ONLY ONE MAN."

276
00:15:57,656 --> 00:15:59,590
THIS IS THE WRONG SPEECH.

277
00:16:02,728 --> 00:16:06,330
LES... M-MY CARDS ARE ALL
MIXED UP. IT'S BAILEY'S FAULT.

278
00:16:06,398 --> 00:16:08,743
WELL, WHY DON'T YOU
JUST WING IT? WING IT?

279
00:16:08,767 --> 00:16:10,800
YEAH. WE NEVER WING IT, VENUS.

280
00:16:10,869 --> 00:16:14,838
THAT'S SPEECHMAKERS RULE NUMBER
ONE. "ALWAYS COME PREPARED."

281
00:16:14,907 --> 00:16:18,709
OKAY. WE'RE REALLY ROLLING
NOW, AREN'T WE, FOLKS?

282
00:16:18,778 --> 00:16:21,923
AND NOW, LET'S HAVE A WORD FROM
THAT PERSON WHO DID SO MUCH...

283
00:16:21,947 --> 00:16:25,382
IN HELPING US PLAN THIS
BANQUET, MISS BAILEY QUARTERS.

284
00:16:28,621 --> 00:16:34,224
UM, I... I JUST WANTED TO
SAY, UM, THANKS, JOHNNY.

285
00:16:34,293 --> 00:16:38,795
<i>WHEN I FIRST CAME
TO WKRP, I, UH...</i>

286
00:16:38,864 --> 00:16:41,998
I DIDN'T KNOW A THING
ABOUT A RADIO STATION.

287
00:16:42,067 --> 00:16:46,704
AND I GUESS I WAS JUST
A LITTLE SHY BACK THEN.

288
00:16:50,209 --> 00:16:54,077
BUT YOU TOOK THE TIME TO
SHOW ME THE ROPES, AND...

289
00:16:54,146 --> 00:16:57,448
AND YOU GAVE ME THE KIND
OF CONFIDENCE I NEEDED.

290
00:16:58,584 --> 00:17:00,517
<i>YOU'RE A REAL FRIEND, JOHNNY,</i>

291
00:17:00,586 --> 00:17:02,586
<i>AND I WISH YOU WOULDN'T GO.</i>

292
00:17:02,654 --> 00:17:05,822
<i>WHEN I THINK OF WKRP, I...</i>

293
00:17:05,891 --> 00:17:07,891
WELL, I ALWAYS THINK OF YOU.

294
00:17:08,894 --> 00:17:11,461
I GUESS I ALWAYS WILL.

295
00:17:14,800 --> 00:17:17,040
IS IT WORKIN'? IS HE GONNA STAY?

296
00:17:21,339 --> 00:17:25,041
NEXT, LET'S HAVE A WORD FROM THE
WORLD'S GREATEST SALES MANAGER,

297
00:17:25,110 --> 00:17:27,110
HERB TARLEK!

298
00:17:33,085 --> 00:17:36,920
I'D, UH, LIKE TO BEGIN
BY SAYING THAT, UH,

299
00:17:36,989 --> 00:17:39,423
I THOUGHT WE WERE
SUPPOSED TO BRING OUR WIVES.

300
00:17:41,494 --> 00:17:45,095
I MEAN, UH, IF I'D HAVE KNOW NONE
OF YOU WERE BRINGING YOUR WIVES,

301
00:17:45,164 --> 00:17:47,998
I WOULDN'T HAVE BROUGHT MINE.

302
00:17:48,066 --> 00:17:50,534
I WENT TO A COSTUME PARTY ONCE.

303
00:17:50,602 --> 00:17:52,536
BUT IT WASN'T.

304
00:17:52,604 --> 00:17:56,206
EVERYBODY ELSE WAS IN REGULAR
CLOTHES, AND I WAS IN THE RABBIT SUIT.

305
00:17:57,410 --> 00:18:00,110
ANYWAY, JOHN,
YOU'RE REALLY GREAT.

306
00:18:00,179 --> 00:18:02,479
WE'RE GONNA MISS YOU.
OH, PLEASE DON'T GO.

307
00:18:03,982 --> 00:18:06,683
HOW'S THAT? GREAT,
HERB. REAL FINE.

308
00:18:08,354 --> 00:18:12,188
WELL, UH, WE'VE BEEN KINDA
SAVIN' THE BEST TILL NOW, JOHNNY.

309
00:18:12,257 --> 00:18:17,126
HERE'S THE ONE PERSON NO MAN IN
HIS RIGHT MIND COULD SAY GOOD-BYE TO,

310
00:18:17,195 --> 00:18:19,128
JENNIFER MARLOWE.

311
00:18:27,573 --> 00:18:30,273
IN MANY WAYS, I
THINK I'M GOING TO...

312
00:18:30,343 --> 00:18:33,844
MISS JOHNNY MORE THAN
ANYONE ELSE IN THIS ROOM.

313
00:18:33,912 --> 00:18:37,180
<i>YOU SEE, I TOO...</i>

314
00:18:39,417 --> 00:18:43,453
I TOO HAVE... OH, I GUESS
WHAT YOU MIGHT CALL MY OWN...

315
00:18:43,522 --> 00:18:46,423
PRIVATE ROMANTIC FANTASIES.

316
00:18:48,461 --> 00:18:50,393
I KNOW THIS...

317
00:18:50,463 --> 00:18:53,330
THIS REALLY ISN'T THE TIME
OR PLACE TO TALK ABOUT IT,

318
00:18:53,398 --> 00:18:57,100
OUT HERE IN FRONT
OF ALL THESE PEOPLE,

319
00:18:57,169 --> 00:19:00,337
BUT LET ME SAY THIS...

320
00:19:00,405 --> 00:19:03,006
I'M REALLY GOING
TO MISS YOU, JOHNNY.

321
00:19:12,617 --> 00:19:14,651
OH, YEAH! UH...

322
00:19:16,021 --> 00:19:18,655
UH... AND, UH, FINALLY,

323
00:19:18,723 --> 00:19:20,963
A WORD FROM ANDY. AH.

324
00:19:22,794 --> 00:19:24,872
THANK YOU. ALL RIGHT, JOHNNY,

325
00:19:24,896 --> 00:19:27,397
I THINK YOU KNOW
WHO YOUR FRIENDS ARE.

326
00:19:27,466 --> 00:19:30,800
AND IT GOES WITHOUT SAYING THAT
WE ALL WISH YOU THE VERY BEST.

327
00:19:30,869 --> 00:19:34,104
WHEN YOU LEAVE TOMORROW MORNING,
YOU TAKE OUR AFFECTION WITH YOU.

328
00:19:34,173 --> 00:19:38,041
IT'S, UH... WELL, IT'S
GONNA BE A SAD...

329
00:19:40,512 --> 00:19:46,550
IT'S GONNA BE...
HELL, I CAN'T DO THIS.

330
00:19:46,618 --> 00:19:49,586
JOHNNY, THIS WHOLE
SHINDIG IS A COMPETE SHAM.

331
00:19:49,654 --> 00:19:53,490
<i>WE DON'T WANNA WISH
YOU GOOD LUCK IN YOUR JOB.</i>

332
00:19:53,558 --> 00:19:57,161
WE WANNA TRY AND TRICK YOU INTO
STAYIN', AND I THINK IT MIGHT'VE WORKED.

333
00:19:59,431 --> 00:20:02,632
WE LIED TO YOU, MY FRIEND.

334
00:20:04,003 --> 00:20:07,637
BUT, UH... WELL, MAN,
FOR WHAT IT'S WORTH,

335
00:20:07,706 --> 00:20:10,140
WE DID IT OUT OF LOVE.

336
00:20:16,515 --> 00:20:20,517
JOHNNY, MY MAN, UH, THIS
SCAM WAS MY IDEA, AND I'M SORRY.

337
00:20:20,586 --> 00:20:24,154
UH, SO INSTEAD OF READING
THIS SPEECH I HAVE HERE,

338
00:20:24,222 --> 00:20:26,857
LET ME JUST SAY THAT WE
REALLY DON'T WANT YOU TO LEAVE.

339
00:20:26,926 --> 00:20:29,860
BUT WE KNOW THAT IT'S BEST
THAT YOU LEAVE. IT'S A GOOD OFFER.

340
00:20:29,929 --> 00:20:31,895
AND WE WISH YOU THE BEST.

341
00:20:31,964 --> 00:20:35,298
BUT I'D ALSO LIKE TO SAY THAT I GUESS
WE DO FEEL KIND OF ASHAMED HERE.

342
00:20:35,367 --> 00:20:38,128
I KNOW THAT'S KIND OF
THE WAY I FEEL RIGHT NOW.

343
00:20:40,339 --> 00:20:42,419
HEY, LOOK, DON'T
FEEL THAT WAY, OKAY?

344
00:20:42,474 --> 00:20:45,675
I MEAN, UH, IT'S A GREAT PARTY,
YOU KNOW. IT'S BEAUTIFUL.

345
00:20:45,744 --> 00:20:48,890
IT'S BEEN A LONG TIME SINCE
ANYBODY WENT TO THIS MUCH TROUBLE...

346
00:20:48,914 --> 00:20:50,881
TO LIE TO ME.

347
00:20:50,950 --> 00:20:53,917
AND, UH, I DON'T KNOW.
AS A MATTER OF FACT,

348
00:20:53,986 --> 00:20:59,122
I... I THINK THAT I OWE
ALL OF YOU AN APOLOGY.

349
00:20:59,191 --> 00:21:03,793
I... I JUST BEEN THINKIN'
ABOUT MYSELF, AND I...

350
00:21:03,863 --> 00:21:08,198
I FORGOT HOW MUCH EACH
ONE OF YOU MEANS TO ME, AND...

351
00:21:10,135 --> 00:21:12,169
I JUST WANNA SAY THAT...

352
00:21:12,238 --> 00:21:16,573
I'M MORE THAN A
LITTLE MOVED HERE.

353
00:21:16,641 --> 00:21:20,710
I'M... I'M WITH MY FRIENDS.

354
00:21:32,457 --> 00:21:35,325
HAVE FUN.

355
00:21:49,107 --> 00:21:51,041
IT WORKED!

356
00:21:51,109 --> 00:21:52,842
<i>YOU WERE GREAT.</i>

357
00:21:52,911 --> 00:21:55,545
WELL... WELL, IS THE
GUEST OF HONOR LEAVING...

358
00:21:55,614 --> 00:21:58,514
BEFORE HE HAS HIS DESSERT?

359
00:21:58,583 --> 00:22:00,929
I DON'T THINK WE LOST THE
GUEST OF HONOR AT ALL.

360
00:22:00,953 --> 00:22:03,820
WE DID IT, MAN. WE DID IT. I
THINK IT LOOKS THAT WAY.

361
00:22:03,889 --> 00:22:05,856
HEY, EVERYBODY,
I FOUND MY CARDS.

362
00:22:05,924 --> 00:22:07,902
I FOUND MY SPEECH. OKAY.

363
00:22:07,926 --> 00:22:09,993
LISTEN TO THIS.

364
00:22:10,061 --> 00:22:15,064
WE ARE GATHERED HERE TONIGHT
TO SAY GOOD-BYE TO ONE SWELL GUY.

365
00:22:15,133 --> 00:22:17,167
THANK YOU VERY MUCH.

366
00:22:21,273 --> 00:22:23,740
- WELL?
- ANDY, HE DIDN'T
COME IN THIS MORNING.

367
00:22:23,808 --> 00:22:25,753
- WELL, THE BACKUP
MAN'S ON, RIGHT?
- YEAH.

368
00:22:25,777 --> 00:22:29,078
IS HE ON? HE DIDN'T SHOW UP.

369
00:22:29,147 --> 00:22:32,415
OH, WELL, DON'T WORRY. I
KNOW JOHNNY'S GONNA BE BACK.

370
00:22:32,484 --> 00:22:35,318
HE'S BEEN LATE
BEFORE, HASN'T HE?

371
00:22:35,387 --> 00:22:38,099
OH. HEY, I THINK I SAW
JOHNNY'S CAR IN THE LOT.

372
00:22:38,123 --> 00:22:40,134
HE'S NOT HERE YET.
DON'T WORRY. HE'LL BE IN.

373
00:22:40,158 --> 00:22:42,303
YOU SAW THAT LOOK
ON HIS FACE LAST NIGHT.

374
00:22:42,327 --> 00:22:44,828
THAT'S RIGHT. IT WAS
A BIG NIGHT LAST NIGHT,

375
00:22:44,896 --> 00:22:48,031
AND HE KNEW WE WERE GONNA HAVE A
SUBSTITUTE DEEJAY ON THIS MORNING.

376
00:22:48,099 --> 00:22:50,801
HE JUST SLEPT A LITTLE LATE.
DID YOU CALL HIS APARTMENT?

377
00:22:50,869 --> 00:22:53,436
- NO ANSWER.
- HE'S GONNA BE RIGHT
THROUGH THAT DOOR ANY MINUTE.

378
00:22:53,505 --> 00:22:56,017
NO DOUBT ABOUT IT. RIGHT,
ANDY? YOU'RE RIGHT, HERB.

379
00:22:56,041 --> 00:23:00,109
HE'S GONNA WALK THROUGH
THAT DOOR RIGHT ABOUT...

380
00:23:00,178 --> 00:23:02,446
NOW!

381
00:23:02,514 --> 00:23:04,881
<i>♪♪</i>

382
00:23:12,291 --> 00:23:14,024
<i>♪♪</i>

383
00:23:18,096 --> 00:23:21,098
<i>♪♪</i>

384
00:23:30,008 --> 00:23:33,744
<i>♪♪</i>

385
00:23:47,125 --> 00:23:48,959
<i>♪♪</i>


